Modinha This song is by Antonio Carlos Jobim and appears on the album Por Tôda Minha Vida () and on the album Por Tôda Minha Vida (). The Unknown Antonio Carlos Jobim Antônio Carlos Jobim Modinha (Seresta No. 5). 8 Sinatra/Jobim: The Complete Reprise Recordings. Wave. Modinha by Elis Regina and Antonio Carlos Jobim – discover this song’s samples , covers and remixes on WhoSampled.
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The Elis Affair by Thievery Corporation CS1 Portuguese-language sources pt All articles with unsourced statements Articles jovim unsourced statements from August Wikipedia articles needing clarification from August All stub articles. Under this designation were referred, in fact, moidnha this time from the last third part of the 18th to the beginning of 19th centurymusical realities of very diversified characteristics, with grade of very variable poetic and musical complexities and cultivated in also very different social circuits.
Please sign in or sign up. The earliest known literary reference to “Brazilian modinha “, most likely in reference to Barbosa’s music, was made by Portuguese satirical poet Nicolau Tolentino de Almeida in Song forms World music song stubs.
Views Read Edit View history. The modinha is of uncertain origin, but it may have evolved in either Brazil or Portugal. One of his characters in a farce from — A rabugem das velhas modjnha old women’s rage]— also mentions “this new modinha that’s been invented now”, which sends her grandmother into a rage, eulogizing the past. Thank you for supporting our work.
Antonio Carlos Jobim:Modinha Lyrics | LyricWiki | FANDOM powered by Wikia
Refresh the page to see the result. Here are the instructions on how to disable your ad blocker: If ads still aren’t showing, look into tweaking your browser settings so that they start to show. Around the end of 18th century, Domingos Caldas Barbosa wrote a series of modinhas that were extremely popular, especially in salonsand so can be termed salon music. Antonio Carlos Jobim Lyricist: If you are running an ad blocker, please disable it on whosampled.
You must be logged in to comment. This page was last edited on 28 Augustat Antonio Carlos Jobim Engineer: From Wikipedia, the free encyclopedia. Modinah designated ‘modinhas’ aristocrats’ salon songs of academic composers, many times with texts of Portuguese Arcadia poets, sometimes with one vocal line, others two voices in counterpointin both cases with a more or less elaborated accompaniment of a harmonic instrument, generally harpsichord.
Antonio Carlos Jobim:Modinha Lyrics
In Portugal, “modinha” was, from the last third part of the 18th to the beginning of the 19th century, a general term designating sentimental songs in Portuguese. In these cases most mentioned characters are the simplicity of guitar’s harmonic accompaniment, the melancholic and nostalgic character of poem and of melody, and improvising nature of interpretation.
Adblock Plus Click the AdBlock Plus button on the top right of your browser’s toolbar addons and click Disabled on jodinha. It is generally considered part of the roots of Brazilian popular music, along with the lundubecause they were the first representative music of the people of Brazil, at the time of getting their identity as Brazilians, not the dwellers of Portuguese movinha.
Please consider signing up to WhoSampled Premium to access the fastest, cleanest, ad-free WhoSampled experience for a small subscription fee. The origin of the modinha was in Europe, the lundu Africa.
Modinha by Elis Regina and Antonio Carlos Jobim – Samples, Covers and Remixes | WhoSampled
The modinha, in Brazilis a type of sentimental love song. We’ve detected that your browser isn’t showing ads. Vinicius De Moraes Vocals: You can help Wikipedia by expanding it. Adblock Click the AdBlock button on the top right of your browser’s toolbar and select Don’t run on pages on this domainand then hit Exclude to finish. This world music song -related article is a stub. The modinha of the late 19th century was sung in the streets or as an outdoor serenade, usually accompanied by fluteguitarand cavaquinho.
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